GHOST OF A CHANCE — FULL COLLABORATION COVER A collaboration cover that started out as a simple exchange of thoughts between myself and Cdelgift aka C on facebook chat. One thing led to another and before we knew it we were joined by youdave777 aka Dave and BumDog2112 aka Shawn to bring to the Video Cover Screen the BEAUTIFUL Rush tune Ghost Of A Chance. A SPECIAL thank you goes out to these gentlemen for MAKING this idea a reality!!! Claudio, thank you for organizing a group of musicians to work with us on this AMAZING video cover. Your vocals and guitars not to mention synths that are not seen in the video are EXCEPTIONAL to say the least. Your suggestion for me to do the video edit blew me away at first but after I did it I totally understood it:))) You knew:))) Dave thank you for all your AWESOME drumming your presence in this collab helped make it the special project it turned out to be and we could not have done it without your OVER THE TOP Audio Mix!! The sound you put together on this is PHENOMENAL!!! Shawn thank you for playing the bass with such ACCURATE and EXQUISITE SKILL!!! The cover had to have a professional bassist such as yourself to really bring it all together:))) Please visit all these AMAZING MUSICIANS and checkout their AMAZING supply of video music that is VM GOLD!!! http://www.youtube.com/user/DelgiftC08http://www.youtube.com/user/youdave777http://www.youtube.com/user/BumDog2112 Special thanks to andonwww http://www.youtube.com/user/andonwww (Galaxy 3D video clip) Ghost Of A Chance is a single from Rush’s album Roll The Bones. The song charted #2 on the U. S. Mainstream but it is rarely played live in shows. It was mostly featured on the 2008 leg of the Snakes & Arrows tour. The lyrics focus on finding love and as its strength over any other force. Lyrically Rush has written 3 songs that touch on the subject of love. Different Strings, Speed Of Love and Ghost Of A Chance. Neil Peart has always shied away from love songs and even mentioning the word in songs because its so much cliché and until he could find a new way to approach it, a new nuance of it to express he refrained from it until Ghost Of A Chance. There is no official video for Ghost Of A Chance only live footage and now 4 individuals bring their rendition to the virtual world.
Miking your amp with a ribbon mic is always the best way to go! No coloration of your tone, and easy to EQ when needed. Even a cheap ribbon mic will give very good results, especially in combination with a condenser mic.
A good position for your ribbon mic on guitar cab is as shown: About 4 – 8″ from center of speaker, and tilted 30 -45 degrees to keep mic safe from sound pressure. The figure 8 mic should be tilted up, or down for different room sounds. Miking the center of the cone will give brighter tones. As you move away from the cone the sound will warm up. (darken) Try aiming at different spots until you have what you’re looking for. A wind-screen can be also used for super loud amps!
Side view of ribbon microphone in front of guitar cabinet. Run the mic into a good pre-amp and compressor before the recorder.
In addition to the ribbon, a condenser mic is also good to use right next to the ribbon mike, for blending.
I also like to add a good large diaphragm mic to use as room mic, set about 5-12 feet away from the amp. Try different locations to capture best sound then blend them all.
Microphone can be tilted up or down, try both ways for different sounds.
I had a lot to say about this, then I found a great article that pretty much said what I wanted to, and better! I have told people for years to clean their guitars a
bit, lower that distortion or even eliminate it! Distorted guitars reduce string clarity which hide mistakes! Lower gain settings “crunch” often sounds thicker and more powerful while keeping clarity in the tone. I especially agree with ‘point one’ in this article below, click the link and learn how to vastly improve on your guitar tone!
I was thinking a few nights ago how in the distant past I used distortion on all guitars, hard rock and metal music of course! One day listening to Jimmy Hendrix,
AC/DC, even some Van Halen… my playing changed. Listening to these guys I suddenly (duh!) realize that they are not super distorted, if distorted at all. Yet the
sound is thick and powerful, yet with both clarity and power!
After many hours of tinkering with settings on the amps, low tunings, etc… my pea brain figured it out. That sentence pretty much sums it up, with a good amp and speakers, low tuned guitars, doubling the guitar tracks up, and hopefully good playing… this was my answer… a good crunch, and perhaps ever so often a very “light touch” of distortion was all I ever needed to get the sound I wanted. My tracks suddenly had clarity, and power! Try it, you’ll like it!
I play everything in low tunings, mainly Low C or D, and constantly hear many people refer to this as “Drop Tuning”. Incorrect! Let’s take Low D as example:
D G C F A D. ALL strings are detuned one step down, it is still standard tuning however. With Drop-D on the other hand, you just tune your big E (6th) down to D, leaving all other strings standard. Not sure why so many are confused by this, but they are.
Low C. C F Bb Eb G C
Low D. D G C F A D
It’s a stupid thing to argue about, but I’ve had tech’s of 40 years experience try to tell me it’s all drop tuning. It’s not.
Now that this is settled, on to reasons to Low-Tune:
1. Great for beginners, as their fingers are not as strong and conditioned. Strings are much easier to bend, especially if the player wants 10’s, 11’s, etc, for a thicker tone.
2. Speaking of thick tone… low tuning does just that for you up to a point… gives the player a nice thick tone! However in my opinion, anything below low C no longer sounds “Musical”. 5 string bass is fine with the low b string, guitar on the other hand just sounds dull and clunky past Low C, again – my opinion.